NORTH
Zeitgeist and Carleton College are proud to present NORTH, an installation work by Mary Ellen Childs in collaboration with visual artist Lindsy Halleckson and videographers Tamara Ober and Caitlin Hammel. The installation runs from September 12 through November 15, 2023 in the Hamlin Creative Space in the Weitz Center for Creativity at Northfield College.
Based on the stark winter environment of the Arctic, NORTH combines recorded music performed by Zeitgeist, abstract paintings in winter hues, projected imagery of northern snowscapes, and sculptural elements to create an immersive environment in which to consider our northernmost lands and their connection to all of us wherever we live.
NORTH is inspired by Mary Ellen Childs’s experience participating in the Arctic Circle Expedition, a residency project that places artists onboard an Arctic-bound scientific vessel. Departing from the international territory of Svalbard, 10 degrees from the North Pole, Childs lived aboard a Tall Ship, sailing and making landfall daily to experience the terrain and collect recordings and imagery.
Childs came away with profound artistic impressions of the spare, often subtle, and occasionally violent sounds of the Arctic, the overwhelming breadth of the landscape and seascapes, and the predominant Arctic hues: shades of white, pink, blue. Svalbard, a scientific outpost, is so remote it has never supported indigenous people, and has few occupants today. It is place where nature rules and demands the upper hand. Yet, even in this land where people are not, human impact is evident. Plastic and trash from far away populations is abundant on the shoreline, and receding glaciers and ice floes reflect human-caused climate change. For Childs, this experience underscores the way in which the air we breathe, the water we use, and the earth we tread is shared by all on the planet.
NORTH was commissioned by Zeitgeist with funding from the MAP Fund, the Minnesota State Arts Board, and the many donors to the Zeitgeist Commissioning Club as part of Zeitgeist’s DECADE FIVE project celebrating the ensemble’s 50 years. Premiere presentation of NORTH was presented in partnership with The Anderson Center in Red Wing, MN from January 27-March 22, 2023.
VISIT
EXHIBITION: September 12-November 15, 2023
Hamlin Creative Space
Weitz Center for Creativity
320 3rd St E, Northfield, MN 55057
Hamlin Creative Space
Weitz Center for Creativity
320 3rd St E, Northfield, MN 55057
Media
About the Artists
Mary Ellen Childs
Mary Ellen Childs is a composer interested in all the senses: she is known for works that speak not only to the ears, but to the eyes, and even the nose. She is known for creating both rhythmic, exuberant instrumental music and kinetic compositions that integrate theater, dance and music in unexpected ways. She writes for a variety of ensembles, including vocal ensembles, solo accordion, string quartets, and chamber groups of every ilk. She has received grants and commissions from Opera America, the Kronos Quartet, the St. Paul Chamber Orchestra, Dale Warland Singers, The Kitchen, Walker Art Center, Other Minds, Meet The Composer’s commissioning programs, MAP Fund, and Creative Capital. In 2011 she was named a United States Artist Fellow, awarded by nomination only to “America's “most innovative and influential artists in their fields.”
Her work is influenced by place, sensory experience, architecture, and passages of time. She is committed to researching her projects wherever they may take her. When writing a dance piece about Lake Superior, she rented a cabin just feet from the shore of the great lake, watching the many moods of the water. To research an opera about the human urge to fly, she spent an adventurous week at a residency in Ottawa Canada, flying: piloting a small plane, hang gliding, and more. To prepare for musical works that incorporate scent, she traveled to France to visit a perfume archive and meet with a master perfumer, and she has studied perfume-making at the Institute for Art and Olfaction in Los Angeles and at the Institute for Perfumery in Grasse, France. As a result, she has recently been creating a series of works that combine sound and scent, under the title Ear + Nose.
She creates distinctive sound worlds, often for specific architecture or environments. Stone Steel Wood Glass Light, commissioned for the Chicago Architectural Biennial, drew inspiration from the Farnsworth House, a glass house designed by Mies van der Rohe, where it was premiered to a series of small audience. Other full-length works include Dream House for string quartet (written for ETHEL) based on destruction and construction, and was accompanied by multi-image video of construction sites; and Wreck was created for dance (Black Label Movement Company), for which she won a 2008 Sage Award.
Childs has held artist residencies at the Bellagio Center in Italy, Bogliasco Foundation (Italy), Yaddo, Djerassi Foundation, Millay Colony, Ucross (Alpert residency), Emily Harvey Foundation (Venice, Italy), and the Arctic Circle Expedition in Svalbard. In spring 2023 she will be in residence for two months at Nawat Fes in Morocco, continuing her research in scent and sound.
Her work is influenced by place, sensory experience, architecture, and passages of time. She is committed to researching her projects wherever they may take her. When writing a dance piece about Lake Superior, she rented a cabin just feet from the shore of the great lake, watching the many moods of the water. To research an opera about the human urge to fly, she spent an adventurous week at a residency in Ottawa Canada, flying: piloting a small plane, hang gliding, and more. To prepare for musical works that incorporate scent, she traveled to France to visit a perfume archive and meet with a master perfumer, and she has studied perfume-making at the Institute for Art and Olfaction in Los Angeles and at the Institute for Perfumery in Grasse, France. As a result, she has recently been creating a series of works that combine sound and scent, under the title Ear + Nose.
She creates distinctive sound worlds, often for specific architecture or environments. Stone Steel Wood Glass Light, commissioned for the Chicago Architectural Biennial, drew inspiration from the Farnsworth House, a glass house designed by Mies van der Rohe, where it was premiered to a series of small audience. Other full-length works include Dream House for string quartet (written for ETHEL) based on destruction and construction, and was accompanied by multi-image video of construction sites; and Wreck was created for dance (Black Label Movement Company), for which she won a 2008 Sage Award.
Childs has held artist residencies at the Bellagio Center in Italy, Bogliasco Foundation (Italy), Yaddo, Djerassi Foundation, Millay Colony, Ucross (Alpert residency), Emily Harvey Foundation (Venice, Italy), and the Arctic Circle Expedition in Svalbard. In spring 2023 she will be in residence for two months at Nawat Fes in Morocco, continuing her research in scent and sound.
Lindsy Halleckson
Visual artist Lindsy Halleckson’s work lives at the intersection of art, science, and environmental activism. Her paintings have been shown in galleries across the country, including Woman Made Gallery (Chicago), Harwood Art Center (Albuquerque), and DeVos Art Museum (Marquette, MI). She has been awarded grants from the Minnesota State Arts Board (2018, 2021), Metropolitan Regional Arts Council/McKnight Foundation (2017) and Puffin Foundation (2013). She has received residencies in The Arctic Circle (2018), at Hinge Arts at The Kirkbride (2016), as a Jerome-funded Emerging Artist Fellow at Tofte Lake Center (2011) and at the New York Mills Regional Cultural Center (2010). She was an Art(ists) on the Verge 10 Fellow, and her work is represented by Wally Workman Gallery in Austin, TX. She has her BA in Studio Art and Art History from St. Olaf College and MBA from the University of St. Thomas.
Tamara Ober
Tamara Ober is a Minneapolis-based dance, film and multidisciplinary creator. She was a member of Zenon Dance Company from 2002-2017 where she worked with over 40 world-renowned choreographers, toured nationally and internationally, and received the McKnight Fellowship for Dancers. Tamara created two critically acclaimed solo shows integrating dance, theater, and film: Pipa (2010) and Sin Eater (2012), both of which toured and received national and international awards.
Tamara is a videographer working in arts documentation and projection design for live arts. Her videography has been presented in Gabriel Kahan's performance at BAM in NY, and The Cedar Cultural Center's program, 'We Are All Criminals', a social justice film collaboration between Carl Flink and inmate artist, Sarith Peou.
Tamara's work has been supported by the MacPhail Center for Music Artist Grant, a Live Music for Dance grant from the American Composer’s Forum, grants from the Metropolitan Regional Arts Council, a “Best Ensemble” Sage Award, and the McKnight Fellowship Dancer Award. Her work has been presented at the Minnesota Fringe Festival, the Soap Factory’s IMPETUS Festival, and many other festivals in the United States and abroad. She is a graduate of the University of Minnesota with a BFA in Dance and BA in Sociology.
Tamara is a videographer working in arts documentation and projection design for live arts. Her videography has been presented in Gabriel Kahan's performance at BAM in NY, and The Cedar Cultural Center's program, 'We Are All Criminals', a social justice film collaboration between Carl Flink and inmate artist, Sarith Peou.
Tamara's work has been supported by the MacPhail Center for Music Artist Grant, a Live Music for Dance grant from the American Composer’s Forum, grants from the Metropolitan Regional Arts Council, a “Best Ensemble” Sage Award, and the McKnight Fellowship Dancer Award. Her work has been presented at the Minnesota Fringe Festival, the Soap Factory’s IMPETUS Festival, and many other festivals in the United States and abroad. She is a graduate of the University of Minnesota with a BFA in Dance and BA in Sociology.
Caitlin Hammel
Caitlin Hammel is a filmmaker in the Twin Cities. Her work has been shown at screenings and film festivals nationally and internationally. She has worked in documentary, narrative, and projection, but always with the purpose and passion to find the story of the people involved and use film to illuminate that journey. She is so proud to be a company member of Nimbus Theatre and to have performed on the Nimbus stage. She is also an enthusiastic educator at the Bakken Museum.
ARTIST Statements
HEATHER BARRINGER, ZEITGEIST
In addition to my life as percussionist and executive director with Zeitgeist, I'm also a farmer with deep connections to family farmland. I am intimately familiar with the land I tend, and keenly aware of human and natural changes that affect where I live. I know the connection I feel is vital to stewardship, because it calls me to action and moves me toward change. NORTH, inspired by connections forged by Childs and Halleckson in the Arctic, is remarkable in that it can inspire in all of us a connection to this remote place on our planet where not all of us will go. My hope is that NORTH as an artwork will fascinate, soothe, awe, and satisfy and, in the process, inspire a call to action, a movement towards change.
Percussionist Heather Barringer
Percussionist Heather Barringer
Mary Ellen Childs
Lindsy Halleckson
“When we think about the sky, we may think about it as a layer of the earth way above our heads. But, are there any real barriers between us and the sky? The separation is an illusion. What we call the Sky reaches right down to the ground that we stand on. The sky starts as soon as the ground (or the water) ends. What is really interesting is that we’re actually breathing sky. The sky’s molecules fill our lungs and populate each of the cells in our bodies.
We are sky. “
– Artist Lindsy Halleckson
We are sky. “
– Artist Lindsy Halleckson
Thank you to our donors!
NORTH is made possible by contributions from the MAP Fund, the Minnesota State Arts Board, and the many donors to the Zeitgeist Commissioning Club as part of Zeitgeist’s DECADE Five project celebrating the ensemble’s fifth decade.
NORTH is made possible by contributions from the MAP Fund, the Minnesota State Arts Board, and the many donors to the Zeitgeist Commissioning Club as part of Zeitgeist’s DECADE Five project celebrating the ensemble’s fifth decade.
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